zines Tag

TYS Panel w/ Letterform Archive

Ey, myself, Nisha Sethi, and Miguel Bounce Perez will be speaking about Graff, lettering, and answering questions about it with the Letterform Archive Thursday Septermber 7th from 12-1:30pm. Tune in online, its FREE.

Link to register

This talk is connected to a much larger show at the Letterform Archive called “Subscription to Mischief” about the culture of Graffiti zines. The show is up until October 5th!

Dig this? Here’s a video from a show we did in 2015 called “Of Love & Riots 2”

Video-Oakland Creates interview (snippet)

 

Yo, heres a snippet of a longer interview I did with Oakland Creates founder Avy Jetter! Stay tuned for the whole ting soon and come to the Oakland Creates Art, Comics, and Zine fests happening Dec 4th in Oakland Ca.
Link for more INFO
Dig this? Check out this video describing the event

Oakland Creates Art, Zine, Comics Fair

 

I’m excited to be one of many artists tabling at this year’s Oakland Creates show. It will be my first time attending but I have been hearing about the show through its creator Avy Jetter for many years. Starting several years ago, this show gives artists, artisans, comics & zine makers a way to showcase their work with the people of Oakland. Most of the creators are Oakland based and I’m excited to be there. Check out the drawing I did for this year’s merch. 
Oakland Creates Art, Comics and Zine Fest began as a vision about bringing folks together through art and giving them an opportunity to present their best selves, learn how to make a living while both interacting and serving their community with positive action. A vision to help empower folks to learn about themselves and develop themselves in multiple areas of the lives whether it’s education, healing, leadership or fulfilling their own art vision.
Oakland Creates prioritizes women of color, Queer, Disabled, Black artists and or any underrepresented artists whether they be new or emerging artists just starting out or artists that just have not been given proper promotion or marketing. Oakland Creates holds space and gives opportunities to amazing creative folk who have something awesome to say to the world and our local community. Oakland Creates celebrates storytelling and positive engagement. Let’s keep the conversation going. Because if we don’t tell our own stories, then who will?
Time: 11:00am – 5:00pm
Where: OakStop 1721 Broadway, Oakland, CA
Check out this video of creators expressing their love for the show!
Here is the FACEBOOK invite
Here is a GoFund Me fundraising page to support the show

SF Zine Fest Sept 4th

 

Hey fam, I will be tabling at this year’s San Francisco Zine Fest. If you’ve never been, it is a large event with lots of folks making zines and mini comics on all types of topics from social justice, identity, life stories, police brutality, bicycle repair, art, to fictional stories, sexuality, and relationships. It’s great for young artists to check out and awesome for librarians, teachers, and professionals who are looking to build a zine or mini comic collection in spaces where young people frequent. Come through! It’s at the SF Metreon. Here is the facebook invite.
Here’s a video featuring a walkthrough the SF Zine Fest and interviews w/ creators.

I participated in a reading where I talked about my work and my first art book at Silver Sprockets book store in the Mission District. And it was dope meeting other creators. Here are some photos from that visit!

Dig this? Check out these photos from my trip to Columbus Ohio for SOL Con.

Mini comic 1 – Time

 

Fam, here’s a new published piece! “Time”. It’s 8 pages long and I completed it in a few days. It’s a mini comic and a zine of sorts. I started working on my first zine in 2007 and did quite a few until the early 2010’s which is when I started getting work as a kids book illustrator and self publishing my own kids books. I ‘m trying to strengthen my comics muscle so I decided to make this mini as I work on other comic shorts. Its much looser than I would even draw, but the goal was to finish it. Which I failed at before. And I got to debut it at TCAF (Toronto Comics and Arts Fest). 
Its about a theoretical crush and is very nostalgic as I was thinking of the days of jr high and high school when I would get dressed hoping to sit next to my crush in class. Its a PG comic so most kids can read it. 
Here’s a post I wrote last yr about past zines.

Flashback – Zines

2010 Zine
Reminiscing, I found some artwork from some old zines I made. I’ve been thinking a lot about doing some new ones for fun and to work in a different style. The image above is from a class project I did with a few other students at Oakland’s “Youth Empowerment School” or YES which was a progressive high school in East Oakland. The class was not popular but I think making zines is a fun activity for kids who are into it. 
2008 Brooklyn
This photo is from the Brooklyn store Fresthetic. Those who’ve been following this blog for a long time know. But if you’re new, I used to live in Brooklyn NY for a short time which was ages ago. This show was in 2008 I believe. I starred making zines in 2007 and learned a lot about the community, events, stores that carried them, and how to make my own project. Basiclym, this was a precursor to learning self publishing kids books.
Wanna see more? 
Check out my first Zine “SS-Still Searching”

Book Zone-Life is Living Oct 8th

This Saturday at the Life is Living festival I will be selling books alongside authors and artists Avy Jetter Breena NuñezPeralta Simon Abramowitsch Tiffany Golden Hafrocentric Comic Kriyani Comics and several Youth Speaks alumni. I hope to grow this zone as an integral part of the fest w/ more kids books, zines, comics, novels, and more books. ALSO-We will have a small table for zine making so come through. For the parents, there is a book reading in the “kids zone” happening throughout the day. Check the schedule at www.youthspeaks.org/lifeisliving/

ALA Conference in San Francisco 2015

The entrance where you need a badge
Ok, I’ve been meaning to write about the ALA (American
Library Association) since I went recently. I’ll try to keep this short. On a
sunny but brisk weekend in Frisco I went to the ALA and visited my TYS Crew and
friends painting a mural near by at the Ybca.

My crew mates and friends painting murals

 Awareness: Ok, first of all to even go to something like
this I had to be in the right state of mind. I mean it helps greatly that this
was near my city (Oakland) this year, because it travels to a different city
every year. But when I say awareness, I mean that it took me a while to even
see the value of going to any kind of conference. Especially one thrown by
librarians. But, now that I’m aware I want to share it with you in case
storytelling in books is of interest to you.

Getting IN: This is a barrier. Not as big of a wall as the
SCBWI, but its still a wall that some people cannot get through. I’m lucky that
I am doing well enough as a freelancer that I could afford to go. But more
importantly I understand the type of investment going is. So I paid. But, not
before trying to find a hook up. I mean, come on. Wouldn’t you try to get in
free if you could? No dice. But while asking about getting in from the women
selling tickets at the front kiosk, a brother from Georgia basically broke it
down to me. Pay for the minimum price. There are two types of attendance fees
that I knew of, probably more. 1- Get into the area where they sell shit-tons
of shit, mostly books, but a bunch of other shit. I’ll get to that. 2-Attend
the panels and discussions. This was important because some of the people you
want to meet are specifically at those.
Corporate central
Networking: This is important. I know, I know. Its not easy
to just go up to someone you don’t know and talk to them. But, if you want to
learn everything there is to know about any chosen field, or just know all the
tools in the box networking helps.
-And I honestly try to talk only to people who I actually
have a connection to. As it relates to children’s books, that could be an
author or illustrator who’s work I actually like. Not just a name, but someone
who I actively read, follow, or know something about. That way if I do talk to
them, I have something to actually talk about.
-Another important thing about networking. You never know
who you’ll meet, what you’ll learn, or who you’ll stumble upon. Case in point,
I was walking through what ALA calls “artist alley” a place where indie and
established illustrators/authors sell their book and talk to people face to
face. In the alley that day I met several people who I’d been following like
Gene Luen Yang, Nathan Hale, John Hendrix, Erika Alexander and her husband TonyPuryear, and many more.
-Homework. Because I am learning about the field still (3
books in) I am constantly studying artists and writers who are doing stuff that
I like visually or creatively with the writing. I can’t stress how important it
is to do the work, look for the work, and ultimately improve your work.
-Connection, homework, and stumble! Now combine all three of
those. I just happen to see John Hendrix. Didn’t know he’d be there at all.
Love his illustrations for “John Brown” and immediately walked up to him ask
him about his work. Guess what? He wasn’t a jerk, he was quite nice and because
I was familiar with his work it made the conversation free of creepy or
awkwardness. We talked about technique, I showed him my work (not because I
expected anything, just because I dig his work) and Howard Reeves  comes up to talk to me about my work. I
talk to him just like I was talking to John (natural). Turns out this guy is an
editor at a press I’m familiar with. Why? Because a fellow classmate from
college Duncan Tonatiuh is published his company. I ask him if he knows him. Of
course! He’s his editor. Wow, connection however small made.
It was a always a rush of people

The enormity of the big 5 companies
 Knowledge/Learning: Although I am now 3 books into the
children’s book game, it is a lifelong journey and I will forever be a student.
On the one hand I’m quick to say #$%& the industry! Do it yourself! Some
days I’m like I need to begetting that Scholastic money, I’m trying to own a
house, lol. But to be real with you as an artist, as an entrepreneur, and as a
human I am learning and pulling from many sources. I believe the big companies
have some things to teach. I believe that to really learn how to be a
children’s book creator I must investigate whoever is out there creating dope
shit. By that I mean beautiful artwork, good quality printing, and stories that
are from the heart that represent some of the cultures I come from. I believe
that there is no waiting for larger companies to “find you” or for a company or
person to validate you. It’s really about doing it.
panel on diversity

Don Tomas Moniz reading from a zine

Nia King reading from a zine
Future: In conclusion, if you are an illustrator or writer
interested in children’s books and the ALA is in your city. I’d say go. Check
it out, see what they’re talking about at least. The ALA did a way better job
at promoting diversity and bringing not only a wide array of speakers/companies
in-they had a much more diverse in attendance than I expected. I could have
dealt with out all the corporate companies selling sinks, book shelves, filing
systems, etc but hey I went and found what I was looking for.
PS:
Zines: They had an awesome zine pavilion where I got to see
artists like Breena Nuñez, Avy Jetter, Liz Mayorga, and of course my Rad Dadfamilia. Lots of lefties there and anarchy in the corner which is just what
they need in my opinion.
The zine pavillion
 Friends: Aww man, 10 years ago, shit maybe even 5 years ago
I probably would not have known anyone there. But I was happy to see Amy Sonnie(Oakland librarian/Co-author of HillBilly NationalistsUrban Race Rebels, and Black Power ), Innosanto Nagarra (author/illustrator of A is for
Activist),  Duncan Tonatiuh ( Diego
Rivera, Separate is never equal ). I met some people from Chronicle who
recognized me after doing a talk with one of their illustrators on Latin@s for
Kid Lit, I saw John Jennings (Black Comix, Black Kirby), Nia King (Queer artists of color), and I met Cory
Silverberg
. I’m sure I’m forgetting some body else but it was nice to see
familiar faces.

ALA: Please include an intentional artists alley for more
independent publishers of color who are from the cities you are being hosted
in. You missed Reflection Press, Blood Orange Press and Marcus Books! But good job on including folks from #WeNeedDiverseBooks , i caught the tail end of the talk, but was glad they were there.

33 hours left for Rad Dad



In case you’ve missed it, i work with this magazine and i’m glad to volunteer my time for such a worthy endeavour-becoming better parents, to raise healthier children.

Zine Flashback-Sew Seoulful

Did this zine for fun back in the day, had it in spots in NYC, TX, VA, DC, MD, LA, The Bay, I think it was even in Canada and New Zealand at one point. The thing i love about zines is that there are no rules, everything is fair game. No art directors, clients, or people to please…just you and the reader (eventually). Think I may make another for fun! Folks like Christy Road, Shotgun Seamstress, Cometbus, Travis Fudge, Morning Breath, and so many others made me want to make one to start with, and eventually I made four…

These are some shots from the Zine opening at Fresthetic Gallery in Brooklyn, Ny. A whole lot of homies came through to help me celebrate this and it was awesome! Time I do another show, no?

Video from the event

Wanna see more? Click here